The use of symbolic settings in The 400 Blows

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Interior of school—A’s classroom

         GOOD—sharing pin-up picture

         BAD—A. is caught by the teacher and disciplined

Exterior of school—playground

Interior of school—A’s classroom

         GOOD—A. pens a protest against his teacher

         BAD—teacher punishes him further

         BAD—a yoiung boy frenetically rips out pages of his tablet when he smears them with ink

Exterior of school—Rene and A. alone after school

         GOOD—fraternity between them, A. can share his anger

Interior of family apartment—Dining area

Interior of family apartment—hallway where A. sleeps

         BAD—when he overhears Mother and Father arguing

         BAD—when mother has bathed him and now bribes him

Exterior: Paris streets

Interior of the Rotor

Exterior: Paris streets

         BAD—A. spots his mother kissing someone else

Inteiror of family apartment—Kitchen

         GOOD—Father/son scene of them cooking together

Interior of school—A’s classroom

         BAD—Father and Mother come and father slaps his son

Interior of a printing plant

Exterior of Paris streets at night

         BAD—loneliness, anxiety, fearfulness

Interior of school-principal’s office

         BAD—mother working with authority figure to get rid of A.

Interior of apartment—A’s shrine to Balzac

Interor of apartment—dining area—

         BAD—Fire in the shrine, Father’s anger at A.

Exterior of Paris—at night

         GOOD: Family going to a movie together

Interior of Apartment

         BAD—as soon as family returns, mood becomes negative

Interior of Rene’s apartment—big bedroom where Rene and A hang out

         GOOD: Sanctuary for fraternity

Interior of Rene’s apartment—dining room with Father

Interior of cinema—Rene and A

         GOOD—enjoying the movie

Interior of puppet theater

         GOOD—enjouying the show

Interior of Father’s workplace—stealing typewriter

Exterior of Paris—Rene and A.

         BAD—lugging typewriter around

Interior of police station—chief’s office

         BAD—father dealing with authority figure who will send A. away

Interior of police station—hallways, ends in cage

Interior of police van

Interior of cage in jail

Exterior of Juvenile Delinquents center

Interior of cage on the grounds

Interior of dining hall at the Juvenile Delinquents center

         BAD: A. slapped by the guard

Exterior of cell at the Juvenile Delinquents Center

         GOOD: tough guy tells his story—I’d do it again

Interior of psychiatrist’s office at the Juvenile Delinquents Center

         GOOD—revelation of the boy’s normalcy, his childhood desires

Interior of Visitor’s center at the Juvenile Delinquents center

         BAD—Rene is turned away on his visit

         BAD—Mother’s visit allows her to reject her son

Exterior—soccer field (from the road on which the boys were marching)

         GOOD--escape

Exterior—road on which A. is running

         GOOD—escape

         BAD—where is he going to run?

Exterior—beach and the sea in the distance

         BAD—nowhere to run

 

Notes written by Robert E. Yahnke

  Professor, General College, Univ. of Minnesota

  Copyright by Robert E. Yahnke, © 2001

  Permission granted for reprinting for educational use only

 

 


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