Part |
Scene |
Time |
Min. |
Key Cuts |
Metaphor |
Symbolic space |
1 |
Giancaldo: Mother calling Salvatore |
Present |
2 |
|
Mother’s determination |
|
2 |
Rome: Salvatore driving; in apartment |
Present |
4 |
Salvatore in bed TO chimes outside / Salvatore in bed TO shaft of light |
Dark night of the soul |
|
3 |
Giancaldo: Childhood; Toto/Alfredo |
Past |
47 |
Toto crying out in fire scene TO Salvatore in bed (twice) / TO Virgin Mary statue & fire TO Lion & fire |
Alfredo as surrogate father / magician |
Square / Projection booth |
4 |
Giancaldo: Nuevo Cinema Paradiso / Childhood—Toto the projectionist |
Past |
6 |
|
|
|
5 |
Giancaldo: Toto transformed from childhood to adolescence / Salvatore and Elena |
Past |
27 |
Lovers kissing TO Salvatore in bed |
Alfredo as magician / Dark night of the soul |
Projection booth |
6 |
Giancaldo: Love affair and loss / Alfredo & Salvatore—Alfredo’s advice |
Past |
12 |
Salvatore on the steps TO Salvatore sitting up in bed TO Train Station |
Dark night of the soul |
Square / Seashore |
7 |
Giancaldo: Toto’s room / Alfredo’s funeral / Salvatore & his mother / Demolition of the Cinema Paradiso |
Present |
16 |
Interaction between Salvatore and old man---“the square is mine!” |
Trapped in nostalgia / Dark night of the soul / End of an era |
Toto’s room=a shrine / Square |
8 |
Rome: Salvatore and Alfredo’s gift |
Present |
3 |
POV/Reaction shots |
Celebration |
Movie theater |
Film resource written by Robert Yahnke
Copyright, Robert E. Yahnke, © 2009
Professor, Univ. of Minnesota
Request permission from the author to reprint this resource--for educational use only