Nighthawk

She is a lithe puma discretely checking her pager

with the natural grace of a woman consulting a

compact mirror. It slips neatly into her leather

fanny pack that she touches automatically as if

she is feeling for a holstered gun. She cases the

party for the crime going down. Blended with

the bookcase, she can't detect the theft of souls.

She is: " MY- DAUGHTER- THE- COP. " Has given

her Officer Friendly speech for the crime curious,

who truly care for purposes of real estate. She

complains of long nights driving, irregular meals

of coffee and donuts. Likes the action, the chase,

thrills, the hunt. Rookie cops on Dog Watch find

the wait unbearable, lonely, tiring. Their dreams

dwindle to the fantasy of an all night diner in

every precinct.

As she bids her mother farewell, her foot shakes.

It shakes like Conrad's in Ordinary People. Only,

she can always talk to her mother. "I hate the drunk

and disorderly calls. I can't handle it when men cry.

It's easier to deal with ass holes." Men cry and she

shares this with her mother, connects with her femi-

nine nature. Softened from an impersonal avenger,

she delays the plaster hardening on her death mask,

hanging on the wall.




© Gayle M. Petty
Originally published in
Art Mag


Nighthawks
by Edward Hopper, 1942



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