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CollegeWriting.info |
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S5. Teaching
Writing |
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| a. WID
& WAC Annotated Bibliography |
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b. 5
Rubrics for Evaluating Papers |
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c.
Save Time Grading: Rubrics Holistic Scoring Checklist Grading |
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d. WAC
& WID Lessons for Students |
WAC means "Writing Across the Curriculum." WID means "Writing in the Disciplines." WAC is the general movement to develop more writing in classrooms, a movement often led by people in English and composition programs. WID is the work of developing appropriate writing activities in each discipline, often spearheaded by instructors in a wide variety of academic fields. The two movements, while somewhat different, are deeply and intricately connected.
The bibliography below lists both classroom textbooks and pedagogical resources for teaching writing in a number of disciplines. It was developed with the assistance of several national and regional experts. The "4 Rubrics" discussion below also was developed from national and regional resources.
| Annotated
Bibliography of
Handbooks & Guides for Writing in the Disciplines and Writing Across the Curriculum |
WID Textbooks/Guides for Students
WAC Pedagogy
Web Site Resources
A Bibliography for Writing in the Disciplines (WID)
and Writing Across the Curriculum (WAC) (8/05)
Richard Jewell,
Cindy Moore,
This annotated bibliography is primarily for instructors in many fields
who wish to teach writing in their courses.
The first section offers several categories of student textbooks,
handbooks, and readers for a variety of disciplines.
The second section offers a list of highly recommended instructor
resources. The third section
provides several URLs of helpful WAC, WID, and writing-intensive Web sites.
Student Textbooks for Writing in the Disciplines
Handbook/Guide Series for Specific Disciplines
Textbooks in Specific Disciplines General Handbooks and Readers
General
Handbooks and Readers:
General WID
Reference Books: All three of these "grammar handbooks" are very useful, spiral-bound grammar and style
references for general writing instruction and general research in all disciplines with index and quick-access pages.
Harris' is distinguished by its brevity, Fulwiler and Hayakawa's by its
orientation to the workplace, and Faigley's by its emphasis on graphic
design. All three also offer the four major documentation styles: MLA, APA,
Faigley, Lester. The Brief Penguin Handbook. New York: Longman, 2003. 540 pp. Ppr. Includes such sections as "Composing in the Digital Era," "Visual Rhetoric," and "Writing for the Web."
Fulwiler, Toby
and Alan R. Hayakawa. The College Writer's Reference. Upper Saddle River,
Harris, Muriel. The Writer’s FAQs: A Pocket Handbook.
Upper Saddle River,
General WAC Reader: Brown, Stephen, Ed. Writing Across the Curriculum. 2006. 183 pp. Ppr. This "Pocket Reader" in narrow trade format contains two dozen short essays for students to read, divided into chapters on the environment, media, arts, technology, gender and race, and literature and language.
General
WID Reader: Journet, Debra, and Julie Lepick Kling. Readings for Technical Writers.
Glenview,
General WID/WAC Student-Samples Reader: Ferster, Judith. Papers Across the Curriculum. Upper Saddle River, NJ: Pearson/Prentice Hall, 2006. 183 pp. Ppr. A very practical set of fifteen student papers in manuscript style on subjects in the humanities, arts, social sciences, business and science, and English.
General
WID Composition Textbook: Fulwiler, Toby and Alan R. Hayakawa. The Blair
Handbook.
Upper Saddle River,
General
WID Research Handbook: Tensen, Bonnie L. Research Strategies for a
Digital Age. Boston: Thomson/Wadsworth, 2004. This timely guide combines traditional
research-writing advice with numerous strategies for finding, evaluating, using,
and documenting on-line source material.
While the handbooks focus on the mechanics of writing in particular disciplines (e.g., essay structure, sentence construction, punctuation, documentation), the guides typically cover a broader range of writing issues including understanding issues/concepts, approaching typical assignments, and undertaking research projects in respective fields. Both handbooks and guides tend to be small (200-300 pages), useful, and student friendly.
Addison-Wesley Company Short Guide Series: http://longman.awl.com:
A Short Guide to Writing about Art Sylvan Barnet
A Short Guide to Writing about Biology Jan
Pechenik
A Short Guide to Writing about Chemistry Herbert Beall
& John Trimbur
A Short Guide to Writing about Film Timothy
Corrigan
A Short Guide to Writing about History Richard Marius
A Short Guide to Writing about Literature Sylvan Barnet
A Short Guide to Writing about Music Jonathan Bellman
A
Short Guide to Writing about Psychology Dana Dunn
A Short Guide to Writing about Science David Porush
A Short Guide to Writing about Social Science Lee J.
Cuba
Allyn and Bacon Publishing: http://www.abacon.com:
How to Write Psychology Papers Les Parrott III
Researching and Writing in the Humanities
Christine Hult
Researching and Writing in the Sciences and Technology Christine
Hult
Researching and Writing in the Social Sciences
Christine Hult
Writing for Law Enforcement Christopher Thaiss &
John Hess
Writing for Psychology Christopher Thaiss &
James Sanford
Writing about Theatre Christopher Thaiss & Rick Davis
Bedford/St. Martins
Publishing: www.bedfordbooks.com:
A Pocket Guide to Writing in History Mary Lynn
Rampolla
A Short Guide to Writing in the Sciences Ann Penrose & Steven
Katz
A Student's Guide to History
Jules R. Benjamin
Writing Papers in the Biological
Sciences (A Guide) Victoria E. McMillan
Houghton Mifflin (D.C. Heath) Publishing: http://college.hmco.com/flash.html:
Writers Guide: History
Steffens, Dickerson, Fulwiler, & Biddle
Writers Guide: Life Sciences
Biddle & Bean (D.C.
Heath, 1987; may be out of print)
Writers Guide: Political Science
Biddle, Holland, & Fulwiler
Writers Guide: Psychology Bond
& Magistrale (D.C. Heath, 1987; may be out of print)
Prentice-Hall Publishing: http://www.prenhall.com/:
The History Student Writers Manual Mark
Hellstern, et al.
The Political Science Student Writers Manual Gregory
Scott & Stephen Garrison
The Sociology Student Writers Manual William Johnson,
et al.
Thinking and Writing About Art History
Donna K. Reid
Writing about Art
Henry Sayre
Writing about the Humanities Robert DiYanni
Writing and Thinking in the Social Sciences Sharon
Friedman
Thomson/Wadworth Pocket Handbook Series: http://www.wadsworth.com:
The Pocket Handbook for Biology
Laurie Kirszner and Stephen Mandell
The Pocket Handbook for History
Laurie Kirszner and Stephen Mandell
The Pocket Handbook for Psychology
Laurie Kirszner and Stephen Mandell
Textbooks in Specific Disciplines:
Most of the books in this section
are full textbooks appropriate to courses in which a variety of
Health
Sciences
Huth, Edward J. How to Write and Publish Papers in the Medical Sciences. Baltimore: William & Wilkins, 1990. 252 pp. Hrdb. Designed for majors and graduate students, this is a very practical guide for developing several types of medical sciences papers for journals.
Polit, Denise F., Cheryl T. Beck, and Bernadette P. Hungler. Essentials of Nursing Research. Philadelphia: Lippincott, 422 pp. Ppr. A thorough, accessible, and highly practical manual that subsumes writing to the overall process of developing a research project.
Political
Science
Scott, Gregory
M., and Stephen M. Garrison. The
Political Science Student Writer’s Manual. Upper Saddle River,
Professional
and Business Writing
Brereton, John C., and Margaret A. Mansfield. Writing on the Job. A Norton Pocket Guide. New York: W.W. Norton, 1997. 217 pp. Ppr. A very useful, spiral-bound grammar and style handbook for all post-secondary students and working professionals. It also offers help for writing letters, memos, news articles, releases, flyers, proposals, minutes, etc.
Dugger, Jim. Business
Letters for Busy People. Hawthorne,
Pearsall, Thomas E., and Donald H. Cunningham. How to Write for the World of Work. New York: Harcourt Brace, 1994. 559 pp. Ppr. A general and very accessible undergraduate introduction to general business and professional writing methods with a variety of examples and of basic and advanced forms.
Sciences
Day, Robert A. How to Write & Publish a Scientific Paper. Phoenix: Oryx, 1998. 275 pp. Ppr. A very practical guide for graduate students and undergraduate majors that offers help in developing an IMRaD research paper.
Montgomery,
Scott L. The Chicago Guide to Communicating Science. Chicago:
U of
Penrose, Ann M.,
and Steven B. Katz. Writing in the Sciences. New York:
Social
Sciences
Friedman, Sharon, and Stephen Steinberg. Writing & Thinking in the Social Sciences. Englewood Cliffs, NJ: Prentice Hall, 1989. 192 pp. Ppr. A very accessible book for students in social sciences majors, with a variety of disciplinary forms of writing.
Technical
Writing (for Engineers, Technology Writers, et al.)
Riordan, Daniel G., and Steven E. Pauley. Technical Report Writing Today. Boston: Houghton Mifflin, 1999. 576 pp. Ppr. A thorough and accessible introduction for technical-writing courses or majors, one that covers audience, groups, style, and a variety of technical documents.
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WAC
General Pedagogical Resources--for
Teachers
Good Starter Readings Other Starters by Toby Fulwiler Starters for WAC Coordinators
Many of the books in this section are suitable as introductions to WAC,
while several are a little more advanced or specialized.
Many are typically available in college and university library systems.
Two national experts and one
Highly
Recommended Starter
Anson, Chris M.,
John E. Schwiebert, and Michael M. Williamson. Writing Across the Curriculum:
An Annotated Bibliography. Westport,
Bean, John C. Engaging
Ideas: The Professor's Guide to
Integrating Writing, Critical Thinking, and Active Learning in the Classroom.
Fulwiler, Toby. The
Journal Book. Portsmouth,
Fulwiler, Toby,
and Art Young, eds. Language Connections: Writing and Reading Across the Curriculum.
Fulwiler, Toby,
and Art Young, eds. When Writing Teachers Teach Literature: Bringing Writing
to Reading. Co-ed. Art Young. Portsmouth,
Fulwiler, Toby,
and Susan Gardner, eds. The Journal Book for Teachers of Technical and
Professional Programs. Portsmouth,
Hedengren, Beth Finch. A TA's Guide to Teaching Writing in All Disciplines. Boston: Bedford/St. Martin's, 2004. 160 pp. This highly accessible paperbound handbook for TAs in all disciplines is a thorough distillation of several decades of best methods of writing instruction. It is suitable for any instructor of undergraduates who wants to teach writing.
Perl, Sondra,
ed. Landmark Essays on the Writing Process. Davis,
Sorcinelli, Mary Deane and Peter Elbow, eds. Writing to Learn: Strategies for “Assigning and Responding to Writing Across the Disciplines. New Directions for Teaching and Learning 69. San Francisco: Jossey-Bass, 1997. (Recommended by Chris Anson & Toby Fulwiler)
Stock, Patricia,
ed. Fforum:
Essays on Theory and Practice in the Teaching of Writing.
Walvoord, Barbara, et al. In the Long Run: A Study of Faculty in Three Writing-Across-the-Curriculum Programs. NCTE, 1997. (Chris Anson & Toby Fulwiler; out of print)
Walvoord, Barbara. Helping Students Write Well. MLA, 1986.
Other
Good Starter Books and Articles about WAC by Toby Fulwiler:
Fulwiler, Toby. "Evaluating Writing across the Curriculum Programs." Strengthening Programs for Writing Across the Curriculum. Ed. S. Mcleod. San Francisco: Jossey-Bass, 1988. 61-75.
Fulwiler, Toby. Teaching
with Writing. Portsmouth,
Fulwiler, Toby. "Writing: An Act of Cognition." Teaching Writing in All Disciplines. New Directions for Teaching and Learning 12. Ed. C.W. Griffin. San Francisco: Jossey-Bass, 1982. 15-25.
Fulwiler, Toby and Arthur W. Biddle, eds. Community of Voices: Reading and Writing in the Disciplines. New York: Macmillan, 1992. 974 pp. (A WAC textbook)
Good
Starter Books for WAC Coordinators:
Anson, Chris, ed. The WAC Casebook: Scenes for Faculty Reflection and Program Development. Oxford UP, 2001. Ppr. "Designed for workshops and brown bag meetings, but could also be read solo for purposes of reflection" —Chris Anson. (Contains bibliography of URL and non-URL sources) (Chapters for non-Composition disciplines: Mechanical Engineering, 12; Mathematics, 16; Economics, 32; Chemistry, 33; and Social Psychology, 37.)
Bazerman,
Charles, and David R. Russell, eds. Landmark Essays on Writing Across the
Curriculum. Davis,
Fulwiler, Toby,
and Art Young, eds. Programs That Work: Models and Methods for Writing across
the Curriculum. Portsmouth,
Fulwiler, Toby,
and Art Young, eds. Writing across the Disciplines: Research into Practice.
Portsmouth,
Herrington, Anne, and Charles Moran. Writing, Teaching, and Learning in the Disciplines. New York: MLA, 1992. 265 pp. (Recommended by Toby Fulwiler) (Part one contains histories of WAC.)
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WAC/WID/WI
Web Sites
General Resources Exemplary Programs
CollegeWriting.info: Go http://Richard.Jewell.net and click on “CollegeWriting.info.” A free Web composition textbook. On the home page, click on "S. Teachers," then "Many Disciplines." Also, on the home, click on "Writing in Many Fields."
CompPile: http://comppile.tamucc.edu. An expanding database of publications in composition and rhetoric. Nearly 60,000 citations for writing-related articles and essays that have appeared in journals, book series, and edited collections.
George Washington University "WID Bibliography," 2004: http://www.gwu.edu/~uwp/wid/WIDFacultyResources.htm
The Ohio State University
University
of
WAC Clearinghouse: http://wac.colostate.edu. This comprehensive site includes links to many helpful WAC resources, including major WAC programs, bibliographies, conferences, teaching ideas, and journals. Clearinghouse “members” can submit information and ideas to the web site and participate in on-line discussions about WAC-related issues.
Writing Across
the Curriculum Program at
Writing Across
the Curriculum at the University of Wisconsin-Madison: http://mendota.english.wisc.edu/~WAC.
Designed especially for faculty outside of English, this site offers information
from faculty across the disciplines on how to design writing-intensive courses.
Sample teaching materials and assessment guides are also included.
Exemplary WID/WAC Programs in Universities and Colleges [from Bernhardt, Stephen A. "Thriving in Academe: Writing To Learn; Learning To Write." Advocate. National Education Association. Vol. 21, No. 3 (Feb. 2004): 8.]
Clemson University: www.clemson.edu/caah/Pearce/. "This program integrates written, oral, visual, and digital communication into courses throughout the curriculum."
Cornell University: www.arts.cornell.edu/knight_institute/index.html. "The John S. Knight Institute for Writing in the Disciplines combines first-year seminars, advanced courses..., and various seminar and outreach activities. It also sponsors an innovative consortium that brings together various universities to collaborate on development of writing in the disciplines' programs.
George Mason University: http://wac/gmu.edu/program/program.html. "George Mason features writing-intsive requirements in the major and...has developed an extensive set of guides for faculty in various disciplines...and an extensive assessment initiative."
Hostos Community College: www.hostos.cuny.edu. "The college uses writing fellows who work with faculty to transform courses and instruction at this diverse, urban community college...."
Mount Holyoke College: www.mtholyoke.edu/acad/programs/wcl/saw/index.shtml. "The Speaking, Arguing, and Writing Program...embeds opportunities to practice goal-oriented communication throught the entire college experience....
North Carolina State University: www2.chass.ncsu.edu/CWSP/. "NCSU boasts a mature program [led by Chris Anson], where individual departments define the outcomes they want to see for writing and communication skills, and consultants from the Campus Writing and Speaking Program help them...."
| Five
Interdisciplinary Rubrics for Evaluating Papers
( |
[For an introductory discussion, see "Rubrics."]
A “rubric” is a set of guidelines used for clear, consistent
evaluation. It also is an
explanation offered to those being evaluated.
The four rubrics on this sheet represent four systems for evaluating
formal written papers. They may be
used as they are, or as examples to help you develop your own.
A
“Qualifiable KPI [Key Performance Indicator]” Rubric
--Brenda
Wentworth
(Wentworth, Brenda, Assessment
Coordinator,
of
· In writing the student will have one voice that unifies the writing style of the document.
· The document presents a clear, concrete, focused, narrow hypothesis or assertion.
· Students will support assertions with direct evidence from disciplinary sources, mostly primary source readings (give examples), from secondary sources (give examples), and from a few tertiary sources (give examples or exclude tertiary sources if appropriate)
· The document uses sources of knowledge that are credible.
· The audience for the document will be (clearly identify the appropriate audience).
· The organizational structure is clear (introduction-body-conclusion or problem-solution or question-answer or explanatory outline with links, etc.).
· The document is free of mechanical errors.
“The high achieving or excellent student will be able to accomplish everything in the rubric that is at the level of magazines or journals in the discipline (give examples). They will be prepared for graduate level work or research but not able to write above master’s degree level. Their work may contain some new knowledge or draw new conclusions based on the knowledge.
“The average student will be able to accomplish all but one or two of the standards. Their work will not be at a publishable level in disciplinary magazines or journals. Their research will be adequate but will contain no new knowledge or reach any new conclusions.
“The low achieving student will be able to accomplish at least four of the standards adequately. They will minimally accomplish the other standards but their work will be below the average of most college students. Their writing will be technically imperfect, may contain mechanical errors, and their conclusions may be weak.”
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“Individual
Criteria: Using a Grid”
“There is a traditional and crude distinction between form and content that
many teachers use…. Teachers
sometimes break out these two broad criteria into four more explicit
ones [below]. Yet of course,
we can work out our own criteria according to our own tastes—perhaps
changing them on different papers….
“CORRECT
UNDERSTANDING OF COURSE MATERIAL
“CLARITY |
“Scoring
Guide”
[The following rubric was developed as a guide for evaluating developmental writing.]
“FOCUS: The writing presents a clear focus.”
“COHERENCE/UNITY: The information is presented in a logical manner and develops the focus.”
“SUPPORT: Ample details create a picture, inform or persuade….”
“CORRECTNESS: The writing adheres to Academic English with only minor distractions.”
“AUDIENCE:
…[T]he reader is moved [and] the writing generally succeeds in
meeting the needs of its…targeted audience.” |
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An
Interdisciplinary Rubric for Grading a
Paper --Richard
Jewell
(Jewell, Richard.
Inver
1. CONTENTS: Are ideas well developed and applied?
Are the ideas sufficiently original? Is there a central
purpose? Are concepts and
terminology appropriate and clear? Are
the critical thinking functions of the field or discipline used well?
2. SUPPORTING
DETAILS: Are there adequate and appropriate details (e.g., quotations,
paraphrases, examples, stories, statistics, graphics, or a bibliography)?
Do they support the paper’s central concepts?
Are the details well explained and connected to the concepts?
3. AUDIENCE/STYLE:
Does the paper show evidence of consideration of its audience?
Does it use an appropriate academic or professional tone?
Does it speak in an appropriate voice to its audience?
4. ORGANIZATION:
Does the paper have a central subject or argument? Are there clear, separate
topics and/or sections that start with appropriate topic sentences or subtitles?
Are there clear, developed paragraphs?
5. PROFESSIONAL
APPEARANCE: Are mechanics—e.g., grammatical usage, spelling, punctuation,
sentence structure, graphics/illustrations, and typing—sufficiently correct?
You may offer the above to students as general guidelines, or you may score each
guideline using letters or points with equal weighting (e.g., “C B A C A” or
“2 3 4 2 4” = overall “B”) or unequal weighting (e.g., “C C C” for
#1, “B B” for #2, and “A C A” for #3-5 = overall B-).
The best-case scenario is to use guidelines such as these to develop your
own specific rubric.
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Four-Point
Web-Design Rubric --Kathleen
Blake Yancey
[Yancey, Kathleen Blake. Computers and
Composition 21:1 (2004): 96.]
What arrangements are possible?
Who arranges?
What is the intent?
What is the fit between the intent and the effect?
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Most recent update: 8-27-05
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Contents © 2004 by Richard Jewell and Cindy Moore. Nonprofit copying for education is allowed. Page Design © 2002-2004 by Richard Jewell. Images
courtesy of Barry's Clip Art, Clip
Art Warehouse, The
Clip Art Universe, Clipart
Collection, Microsoft Clip Art Gallery and Design
Gallery Live, School Discovery,
and Web Clip Art |
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