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Minnesota Knappers Guild crest THE PLATFORM
-a publication of the Minnesota Knappers Guild-

Editor: Gene Altiere
712 MEDICAL ARTS BUILDING
DULUTH, MN 55802



VOLUME 4, NO. 4
November, 1992

DUES
THIS IS THE LAST ISSUE FOR 1992. MKG DUES, INCLUDING A SUBSCRIPTION TO THE NEWSLETTER, "THE PLATFORM", (4 ISSUES) WILL BE $7.00 FOR 1993. MANY OF YOU HAVE ALREADY SENT IN YOUR PAYMENT FOR 1993. IF YOU HAVE PAID YOUR DUES, THE NUMBER "93" WILL APPEAR ON YOUR MAILING LABEL. IF YOUR LABEL DOES NOT HAVE A "93" ON IT, THIS IS THE LAST NEWSLETTER YOU WILL RECEIVE UNTIL YOUR DUES ARE PAID. PLEASE MAKE ALL CHECKS PAYABLE TO "GENE ALTIERE, EDITOR, "THE PLATFORM". DUES SENT AFTER DECEMBER 31, 1992 WILL HAVE TO INCLUDE A $1.00 LATE PAYMENT FEE (TOTAL $8.00). PLEASE DO NOT SEND IN PAYMENT FOR DUES BEYOND 1993. THE EDITOR COMMITS HIMSELF TO ONLY ONE YEAR AT A TIME!


NEW MEMBERS

Robert Keiper, 642 CLARKS LANE, WINONA, MN 55987 is a member. We first met Bob last summer at the MKG Knap-in. He is an avid video camera buff and shot a lot of footage at Pine City. His note mentioned that he had been to Ft. Osage and shot footage there as well. Maybe if MKG has a winter event this year, we can get Bob to show us the films.

HAPPY BIRTHDAY !


With this issue, "the Platform" celebrates its forth birthday. Happy Birthday to you all and thanks for the many positive comments about the newsletter and the Minnesota Knappers Guild. Because of some personal problems this year, it was nip and tuck as to whether I would be able to continue as editor but I have committed to another year (1993) and another four issues of "the Platform". Despite the fact that the newsletter is designed to be regional as to events, archaeology and news, we greatly appreciate the interest and input from around the country as well as the wonderful support we have received from Minnesota knappers. Thanks for asking me to write your newsletter and thanks for supporting it.


Gene Altiere, editor

"the Platform"


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An "Edging" Tool
by
Jim Regan

A common percussion flaking problem is that of trying to thin down a spall which is flat on one side and rounded or humped on the other side (fig. 1). Often, the approach to this situation is to start taking thinning flakes off the flat side. This is almost always a mistake for two reasons: A flake taken off the flat side will usually end in a deep hinge fracture; and you still have the original thick hump on the other side (fig. 2). A better approach is to move the edge up towards the side (fig. 3).

Figs. 1, 2 and 3

This process of moving the edge is usually done with a pressure flaker, taking a whole series of short flakes from the edge, all the way down the entire piece, (fig. 4). You can then knock off thinning flakes one after the other down the whole length of the piece. This process of using your pressure flaker to move the edge works just fine, but I'll offer you another method that gets the job done more efficiently. The tool that works best for me is a simple copper tube that is flattened on one end. I call it an edging tool. I place the flat edge of the tool against the edge of the stone and then use a twisting motion to shear off the edge (fig. 5). I repeat this process down the entire edge and in no time at all

I've got a nice, uniform platform ready for striking (after abrading,
of course). The reason that this method is so much faster is that with the pressure flaker you need to remove a lot of individual flakes, while the edging tool shears off the equivalent of several flakes at once. I have seen other knappers use the same tool, but held in a vertical position and rocked on end (fig. 6). This works very well too. I'd suggest you try it both ways and use the one you prefer. How to make this edging tool was described in a previous issue of the "Platform" (Vol 2, No. 2, 1990). Also, the entire process of working down spalls of this shape was covered in great detail by D.C. Waldorf in the Vol. 3, No. 3, 1991 issue of "Chips", in an article titled "A different perspective". You may wish to read (or reread) this article. I found it to be very helpful with this particular problem


Figs. 4 and 5 Fig. 6



GUILD NEWS

In 1991, The Platform published a series of four articles by Tony Romano on lithic tool materials found in northeastern Minnesota. In 1992, LeRoy Gonsior contributed four articles on southeastern Minnesota material. When we announced LeRoy's articles in the first 1992 issue we made a plea for someone to tell "the rest of the story". Well, thanks to efforts made by LeRoy it looks like we may continue the story in 1993. Last week, we received a letter from LeRoy advising us that he had talked to Kent Bakken concerning writing an article on western Minnesota lithic materials. Mr. Bakken has already published articles on lithic materials of northwestern Minnesota and Minnesota as a whole. Based on what LeRoy tells us, it looks as though we are going to get "the rest of the story"! The editor is, of course, ecstatic as it is a super way to start off the new year and a new Volume of The Platform.

***

Last month, the MKG was contacted by Mr. Seppo Valppu who is an instructor at the Fond du Lac Community College in Cloquet, MN. We had first met Seppo at the Misiano site (see article this issue) a couple of years ago. He teaches an ancient civilization class at the Community College and asked if it would be possible for the guild to put on a knapping demonstration in the new
student center. Because there have been misunderstandings between archaeologists/flintknappers and native americans in some regions of the country, we were somewhat concerned with putting on a program at a native american institution. When we thought about it, however, we realized that our way of looking at lithic technology was to recognize it as an activity peculiar to global Homo sapiens (and depending on your academic slant, perhaps even earlier Homo species). It is not exclusive to native americans as is thought of by many in this country. We accepted Seppo's invitation and a couple of our members put on a two hour lecture & demonstration that was very well received and appreciated. Mr. Valppu has asked for information concerning guild membership. Hopefully he and some of his students will soon be joining our ranks.

***

A few Minnesota Knapper's Guild patches are still available. This is a 3" patch with the MKG logo in white and a blue background. Patches are $3.00 each. Make out checks to: Eugene Altiere, editor "The Platform" and mail to 712 Medical Arts Building Duluth, MN 55802.

***

We are still trying to locate Tim Murphy of Cleves, Ohio. If you know his correct address, please send it to us. Thanks.


THE MISIANO SITE-McDOUGAL LAKE

For the past four years, the U.S. Forest Service has invited members of the Minnesota Knappers Guild to demonstrate stone tool technology at the public open house held at the Misiano site in the Superior National Forest. The excavations there are being conducted under the direction of Gordon Peters, who is the Forest Archaeologist and MKG member. Although these activities have been reported in The Platform, little has been said about the site itself.

The Misiano site, FS 304-034, is named after Tom Misiano, a Forest Service employee. The official record may say that it was so named because Mr. Misiano was helpful in facilitating early excavation efforts but, according to the site director, this honor was actually bestowed as a bribe to make him more receptive to archeological investigations and investigators (whatever works)! The site, also referred to as "McDougal", is situated on the north shore of McDougal Lake, 30 miles south of Ely, Minnesota on State Highway #1. More specifically, it is located north of Two Harbors, Minnesota, 3 miles south of the junction of State Highways #1 and #2 in Lake County.

According to archaeologist Peters the site was selected for excavation for two main reasons: surface collecting and shovel testing yielded "tons" of flakes along with other diagnostic materials from the paleoindian period (a special interest of Peters) and more importantly it offered easy access for the public to become involved in the "PASSPORT IN TIME" volunteer program.

Peters, with his staff of University of Minnesota-Duluth Archaeological Field School students and summer volunteer crew, has determined the site has features and artifacts mainly from the Archaic (8,000-2,500 years BP - "before present") and Paleoindian (12,0900-8,000 years BP) Horizons. However, in one remote area of the site very near the surface a small amount of Sandy Lake pottery along with a small triangular projectile point was found. These cultural clues are representative of the Terminal Woodland Period (1,000-300 years BP). These straight sided, undecorated, unflared, shell or grit-tempered pots are thought to be one of the most recent forms of pottery found in Minnesota.

Underlying the Woodland level, Archaic Period materials were encountered. These materials included side and corner notched projectile points, copper artifacts such as two "rat tail" copper knives, and fire hearths with adjoining concentrations of lithic materials interpreted to be waste flakes from knapping.

The Archaic Horizon reached to a depth of from 22 to 26 centimeters. Below this level the Paleoindian Period is well represented by large, high quality siltstone (Knife Lake silicified metasiltstone) reduction flakes, expertly knapped large bifaces, broken bases of plano type (lanceolate) projectile points and gravers. Other types of stone such as Kekabeca Chert, Gunflint Silica and Jasper Taconite which are commonly found in other older northern Minnesota sites are well represented.

One intriguing feature found at the Paleo level were groups of boulders one foot or more in diameter, spaced several feet apart forming large ovals. These excavated ovals may prove to be "Tepee rings" when further excavation is completed. The large stones may have been used to weigh down hides or bark covering primitive dwellings. This notion is supported by the finding of fire place hearths located within the ovals. Even more interesting is the consistent pattern of these hearths being located on the north side of the ovals. The hearths were also surrounded by concentrations of lithic debris. Ph (acidity) tests are being conducted on the soil inside and outside the circles. If they are dwelling rings, the soil inside the habitation areas should be less acidic than the soil on the outside, according to the archaeologists.

Also encountered within one of the possible houses was a very unusual "stacked" concentration of large siltstone flakes. These may have been placed inside some kind of container of hide or bark which has since decomposed. A plaster cast was made around the concentration and it was brought back to the lab for careful, photo-documented excavation.

In a newly opened part of the site this summer, immature ungulate bones were found. This documents the habitation by at least some people during spring or early summer.

All archaeologists dream of sites with well defined "stratigraphy" (clearly defined layers with the old stuff on the bottom and the newest on top). The Misiano site is not cooperating! Due to glacial erosion and wind deposited loam, it is a nightmare. The most reliable stratigraphy at this time seems to be in the loam deposited depressions.

Gordon Peters and his team are waiting anxiously for the next excavation season. They hope to augment the existing sparse information now covering the earliest of archaeological times in northeastern Minnesota, and at the same time display and interpret their findings to the remarkably increasing numbers of public visitors to the site. All Guild members and friends are invited to visit the Misiano site next summer. The site is open to the public daily between 10am and 3 pm, including weekends (rainy days excluded). Work is scheduled at Misiano from June 30th through August 12th next field season. Make plans to visit!


LITHICS MATERIALS OF SOUTHEASTERN MINNESOTA

by LEROY GONSIOR

This article is the fourth in the series by Mr. Gonsior and marks the conclusion of the articles on Southeastern Minnesota Lithics. As stated elsewhere in this issue, we are expecting to continue the information on Minnesota Lithic materials in Volume 5 of the platform with a series of articles written by Kent Bakken. We wish to express our thanks to LeRoy Gonsior for writing these articles for The Platform and for enlisting Mr. Bakken to continue the work. -Ed.

Part IV

Cedar Valley Chert

Chert from the Solon Member of the Cedar Valley Formation was initially identified from surface deposits at the Hadland Site, (21 FL 60), as Cedar Valley Jasperoid (Ready 1981). It is also called Root River chert, Solon chert or jasper. Research of this chert revealed that some varieties were not discussed in Ready's description and that a chert, rather than a jasperoid, identification is more appropriate. Two distinct varieties have now been identified, opaque and translucent. The opaque variety simply is a jasper-like chert, that when thin flakes are held in front of a light source, no light passes through them. It is brown, colored sometimes with swirls or mottling, but is generally a homogeneous color and texture.

Colors vary from a light yellowish brown [10 YR 6/4], yellowish brown
[10 YR 5/8], brownish yellow [10 YR 6/6] to brown [10 YR 4/3]. The
translucent variety encompasses many color variations and textural differences. Flakes are slightly translucent to transparent when held against a light source. Nodules often exhibit a chalcedony-like exterior layer. This variety is usually mottled with brown, yellow, and white color combinations. Munsell colors vary from yellowish brown [10 YR 5/4], brownish yellow [10 YR 6/8], dark brown [10 YR 3/3], very dark gray [10 YR 3/1] to light gray [10 YR 7/1]. Heat treated colors range from a brown [10 YR 5/3] to dark yellowish brown [10 YR 4/6], weak red [10 R 4/3 and 4/4], to dark red [10 R 3/6] to dusky red [10 R 3/3]. Cortex color changes resulting from heat treating are to a dark reddish gray [10 R 3/1] to a dusky red [2.5 YR 3/2]. Textural differences vary from chalcedony-like to medium quality chert to poor quality chert within the same nodule. Also present is a grainy variation that appears quartzite-like without magnification. Both varieties exhibit a dark purple color under long wave ultra violet light with the exception of the translucent variety where the chalcedony-like portion fluoresces a milky white color. Both the opaque and translucent varieties are found at the Hadland Site along the South Branch of the Root River in Fillmore County as nodules or slabs, often cemented together into large boulders. The opaque variety has been recovered from spoil piles (modern waste piles - Ed.) from flooded limestone quarries in eastern Mower County and also was reported in northwestern Fillmore County by the Minnesota Geological Survey. Another source area of the opaque variety has recently been identified in Buffalo County, Wisconsin and is referred to as Root River chert. Apparently the largest concentration of this material is associated with the Windrow Formation, in Fillmore County, within a shallow iron ore deposit (Bleifuss 1972). The near surface iron ore deposits were extensively mined during the 1940's. An examination of spoil piles indicated that the ore apparently is a mixture of iron and chert. The Solon Member of the Cedar Valley Formation is a fossiliferous dolostone deposit (Mossler 1978). No fossils have been found in the chert nodules, however they may be present.Cedar Valley chert is apparently found in the Devonian age Solon Member of the Cedar Valley Formation although the exact
geological context has not been identified inexposures (above ground projections of the formation - Ed.). At the Hadland Site where it was first identified, both the Solon Member of the Cedar Valley Formation and the Clermont Member of the Maquoketa Formation are exposed on the surface. Chert from the Solon Member was reported to occupy the bottom few inches adjoining the chert-rich Maquoketa Formation (Mossler 1978). For this reason, archaeologists have been apprehensive about calling this material Solon chert even though most are confident that it is associated with the Solon Member. The American Indian use of Cedar Valley Chert is just beginning to be understood. It is found at many archaeological sites outside its source area, and may have a distribution similar to Grand Meadow chert.

The opaque variety is an excellent material for flintknapping. It is a hard material to work with in its natural state, but is vastly improved by heat treating. Heat treating in the 400 to 500 degree Fahrenheit range is sufficient. Samples of the opaque variety fired to 500 degrees over night in a oven turn deep red on the outside with a glass-like brown interior, which is very colorful with swirled nodules. With heat treatment, a more subtle approach is necessary for flaking and edge preparation such as would be used with obsidian. The translucent variety requires some experience since the textural differences are a problem. Flakes easily travel through the exterior chalcedonic layer but do not travel well through the coarser interior and often hinge. The grainy translucent variety can be percussion flaked, but is very difficult to pressure flake.


IF THEY HAD IT, THEY USED IT
by
Tony Romano & Gene Altiere

It has long been realized that those of us who choose to utilize copper for flaking artifacts will be subjected to constant questioning about authenticity. Invariably, during knapping demonstrations for either just plain folks or professionals, the statement will be made that, "Oh, yeah, what you're doing is nice but it's not the real thing, you're cheating--the primitive indians didn't have copper!" Invariably we'll mutter something about "art" and "skill" and "wearing out tools". If we are really frustrated we'll snap back that if they had these tools they would have used them! Well folks, we may have hit on something. Those of you who use copper need not hang your head in shame and those of you who shun it ought to listen up. You may be missing out on a true facet of primitive technology simply out of uninformed blind prejudice.

Some years ago, a couple of the founding members of the MKG had their first contact with the archaeological staff in charge of the Superior National Forest (a vast Federal wilderness area in northeastern Minnesota). The occasion was prompted by their request to observe us flint knapping. During the demonstration the senior archaeologist commented "politely" about our use of copper and whether we thought it was authentic.

Romano, being only half-Italian, wasn't smart enough to keep his mouth shut and responded by saying he really believed it was authentic. Altiere, being entirely of Italian descent, merely nodded his head and let Romano ramble on. He went on to explain that he had reviewed many articles with photographs of copper tools. These tools are almost always grouped together as knives, projectile points, spuds, awls and so on. One of the categories is "punches" and it makes no sense to be at all. Punching what, with what? The alleged punches shown are always short; short enough to smash your fingers if you tried to hammer on them. The ends of these tools are a puzzle, too. Some are blunt on one end, slightly narrowed on the other end, but not at like an awl or perforator. Others are simply blunted on both ends. They exhibit no peening over or other type of deformation as you would expect from pounding and being used as a punch. Even more enigmatic, some of them are bent in the middle and resemble a comma.

images of punches

Romano continued explaining his position by telling the archaeologists that only when he started flint knapping, years after pondering the use of "punches", that it dawned on him that these "punches" were most likely used for knapping tools. The narrower ends had probably been hafted and the bluntly rounded ends were formed by use during pressure flaking. The bends that made them look like commas were, of course, caused by excessive pressure forces.

The senior archaeologist jumped up, went to a site drawer and came back with a handful of small copper objects and said "You mean like these?". The artifacts (see drawings) were short, 3 cm (1 1/4 inches) to 5 cm (2 inches) long, 3 mm (3/16 inches) to 5 mm (5/16 inches) wide, slightly less thick and roughly rectangular in shape. One end of the punches was tapered to a blunt point for about one-fourth the length of the "punch" and the other end was in full form but uniformly rounded. And one was bent in the middle to a 45 degree angle!

We both had short, work hardened, copper knapping points hafted in antler tines, and were using these tools for some retouch pressure flaking. When we removed the points from their hafting and placed them next to the artifacts, the two were nearly identical except for their cross sectional shape! We have since made copper "wire" from a natural copper nugget and the cross sectional shape is identical. If you pound the center of the wire with your hammer(stone) a few extra times, this area will reduce in size and form the tapered end of the tool when the "wire" is broken in half. You end up with two tools per manufactured piece of "wire". All that remains to be done to make it look identical to the artifact is to haft it and round the working end through use.

Several months later we bumped into the same archaeologist (who, by the way, has become a great friend, supporter and member of the MKG) at a demonstration for the Northern Lakes Archaeology Society. He agreed that the tools we had showed him worked well and that we had a viable hypothesis as to the primitive use of copper for knapping purposes.

Sometime last year Tony was given a copy of University of Minnesota's "Publications in Anthropology, Number 4" honoring Elden Johnson who is now sadly deceased. An article entitled "The Origins of Copper in Three Northern Minnesota Sites: Pauly, River Point and Big Rice" was of great interest. It read:

"On the north shore of Big Rice Lake, the Big Rice site occupies a large terraced peninsula that commands an overview of the lake. Located approximately twelve miles north of Virginia, Minnesota, this late summer/early fall wild rice processing site occupies an area approximately 8,000 meters square. Archaeological excavations produced evidence of three periods of occupation including Initial Woodland, Terminal Woodland, and Historic components. A single date of A.D. 280 + 45 years (Pit-0349), obtained from a Laurel wild rice parching pit, suggests the antiquity of the site utilization.

Because the Big Rice site was in continuous use during the Woodland and Historic periods, disturbance made stratigraphic separation of the components impossible to determine for the upper 33 centimeters of the site. This disturbance resulted mostly from the continual digging and redigging of ricing jigs and parching pits by the occupants of the site. Unfortunately, the recovered copper artifacts were located in the upper deposits; therefore, their affiliation with the Laurel or Terminal Woodland occupations could not be determined.

Of interest, though, is the presence of a large quantity of finished copper tools, a small amount of modified copper, and a complete absence of raw copper. Copper pressure flakers were the most common copper tools recovered from the site. These tools, associated with an abundance of tertiary flakes, suggest that retouching and sharpening of stone tools was a major activity at he Big Rice site. The stages of copper tool manufacturing represented at the site, along with the types of formal tools recovered, indicate that copper tool manufacturing was restricted to tool modification."

During the summer, Tony (being half Italian and unable to contain himself) confronted our archaeologist friend who was one of the authors of the article:
"My old friend", he asked, "did our past conversations have anything to do with your decision that indigenous people used copper for knapping?"
& quot;Well, of course!", he replied. "As soon as you showed me your tools and suggested it and then I found those retouching flakes at the site, it was as plain as the nose on my face. I never did believe those things were punches..."
"Well", Tony responded, "I didn't see anything about us in the references!"
He mumbled something about that it was just a hobby for us, but he had to make a living at it. We guess he's right but it sure is fun when someone listens to you for a change! The moral of this story for us copper users is: "Relax, fellows. It is now in the literature and we are verified authentic! If they had it, they used it!"


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The contents of this page have not been reviewed or approved by the University of Minnesota.