An act of human creation takes place when someone
transcends an old way of feeling, perceiving, or thinking
—and brings into being something that has never existed before.

     Human beings lived for centuries
before someone figured out how to use rocks and sticks for tools.
But once tool-making began, everyone could see the advantages.

     All of us have modified something at least in small ways.
But highly creative people experience leaps of imagination
that bring about entirely new ways of doing or seeing things.

     Creativity is often associated with "the arts",
but science and technology have also seen creative leaps in our time.
Every form of human endeavor has room for creativity and imagination:
language, cooking, basket-weaving; psychology, sociology, theology;
auto mechanics, computer technology, medical research.

     How does the creative moment happen?
Normally we travel along in well-worn paths of thought and behavior.
Societies have been known to repeat themselves for generations.
And the lives of many individuals seem devoid of innovation.

     But occasionally there comes a ray of light
that helps someone to see a problem or a situation in a new way.
She or he asks why things should continue in the old patterns.
A new way of approaching a problem pops into someone's head.
Of course, that head must have the prior capacity
to understand the problem—and the solution.
Without a framework of understanding, imaginative flashes are lost.

     I see the process of writing as a series of creative moments,
which, if not recorded in words, will disappear forever.
In fact in order to write this chapter, I consulted a small card
on which I had written the following insight when it occurred.
I did not remember it:  "Writing is the process
of capturing on paper sparkling moments of insight.
Uncaptured, those moments are gone for ever.
No writer carries in his head everything he or she has written.
Hence his enjoyment in reading his own work."
And another note posted above my typewriter reads:
"One idea leads to another,
but the second will not emerge unless the first is written down."
I think this is the experience of creative people in every field.
Creative flashes come to those who are ready for them
and who know how to preserve and apply them.

SPIRITUALITY FOR HUMANISTS: SIX CAPACITIES OF OUR HUMAN SPIRITS by JAMES PARK 12

     Archimedes has just appeared in my mind,
running naked thru the street.
He has recently been trying to measure the volume of odd-shaped objects.
Stepping into the public bath, he suddenly realized
that the rise in the water level showed the exact size of his body.
This was such a creative flash that without pausing to get his clothes,
he ran home naked shouting "Eureka!" ("I have found it!").
He wanted to apply "Archimedes' Principle" which he has just invented.

     Such creative leaps of the human spirit seem obvious in retrospect,
but somebody had to dream them first.
Benjamin Franklin invented municipal street lights for Philadelphia.
Why hadn't someone thought of public lighting before?

       Creative people have dry spells:  Nothing new occurs to them.
Perhaps in these periods they lose touch with their human spirits.
Or they are depressed—pressed down in spirit—so nothing new comes.
The ancients spoke of being inspired by one of the Muses,
friendly spirits subtly guiding the hand of the writer or the painter.
Even our word "inspired" contains the word "spirit".

     I see now in the first draft of this chapter
that I have reached the beginning of the fourth page.
When I stated, I had no idea of what to say.
I was doing other things.
All I had to start with was the chapter title
and two pieces of paper that said essentially the same thing.
Had I been discouraged by the lack of anything to say,
I probably would not have sat down at my typewriter.
But I have a class tonight discussing creativity,
so I have to do some thinking about it,
even if nothing emerges that I will later use in a book or essay.

     This shows that creativity can work in small ways.
The other thing I wrote when planning this series of discussions was:
"making something out of nothing".
There are many "grind" procedures that we all know for getting results.
Mathematics is an obvious example.
We do not know the solution to the equation when we begin,
but we know that thru a series of steps familiar to us,
we are very likely to discover the correct answer.
But this is not creativity, making something out of nothing.
This is just combining well-known elements in a prescribed way.
Anyone who knows mathematics can do it.

     But to invent an entirely new kind of mathematical procedure,
like calculus, requires a creative leap of the human spirit.
How does a composer create an entirely new piece of music?
How does a sculptor 'see' the finished form in the block of stone?
How does a novelist invent a character who never existed?

SPIRITUALITY FOR HUMANISTS: SIX CAPACITIES OF OUR HUMAN SPIRITS by JAMES PARK 13

     Creating something genuinely new
does not mean having nothing to use as materials or precedents.
But an additional element must come 'from nowhere'.
The creative person may not know how new ideas occur.
Perhaps they appear as random possibilities in a well-prepared mind.
If the creative mind knows the problem intimately,
the possible solution will strike a responsive chord.
And that creative insight will be tried immediately.

    Another important step in the creative process
is separating what to keep from what to discard.
Edison had to try many different combinations
before he invented the light bulb or the nickel-cadmium battery.
He knew when to abandon failures, 'bright ideas' that didn't work.
But eventually he did find materials and methods that worked.
(And these have been improved by others ever since.)

     A writer or painter who cannot discard anything may be creative,
but any flashes of insight may be lost in a mountain of trivia.
Thus some creative people need editors or curators to sort their work
to find the parts that are genuinely new and creative.
The rest can be put aside for examination at a later time
—just in case some hidden flashes of spirit were overlooked.

     If I had written the first draft of this chapter
after taking my bike ride around Lake of the Isles,
something entirely different might have emerged.
That is just the luck of the throw.
I do not control how one idea leads to another.
And I could have written something equally valid at another time.

     Sometimes reading can be as inspiring as writing.
Most non-fiction books are not very original.
The authors simply re-package and re-interpret ideas created by others,
but once in a while a truly visionary thinker comes along.
Publishers should find ways to recognize such creative spirits.
Otherwise they will keep publishing books similar
to ones that have already proven themselves in the marketplace.
But even uninspired books can stimulate creative minds to new insights.

     Creativity—of whatever sort—seems to be its own reward.
When it happens to us, we appreciate the creative moment,
we enjoy exercising our spirits—the wonderful warm life within.

     Creativity often surprises the creators themselves.
After the creative leap, they do not fully understand how it happened.
The moment of imagination seems to come as a gift or a miracle.
Spirit, as expressed in creativity, seems very fragile.
Perhaps we can only glimpse the act of creation as it flies past.
Then we may have to wait for a new inspiration.
But as we grow in spirit, such creative moments become more frequent.

SPIRITUALITY FOR HUMANISTS: SIX CAPACITIES OF OUR HUMAN SPIRITS by JAMES PARK 14

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